• Home
• Events
• Texts
• Exhibitions
• Collaborators
• Partners
• Links
• Mailing list

Choose a city ------------- Antwerp Bologna Bruges Brussels Ghent Leuven London Maastricht Paris Rome Venice Vienna Ypres

Cities

• Antwerp
• Bologna
• Bruges
• Brussels
• Ferrara
• London
• Lucca
• Maastricht
• Paris
• Venice
• Vienna
• Ypres

Photographers

• Anriot
• Atget
• Aubry
• Basoli Antonio
• Berssenbrugge Henri
• Bertinazzi
• Cavazza Giuseppe
• Daveluy Victor
• De Deyne Véron
• Delepierre Joseph Octave
• Duclos Adolf
• Fierlants
• Goethals
• Gurlitt Cornelius
• Hermans Gustave
• Joostens Florent
• Kampfe
• Kühn Heinrich
• Labarge Fecit
• Malvaux Jean
• Michiels Jan Frans
• Panfili Pio
• Poppi Pietro
• Salmon Clément
• Schaepkens Alexander
• Simays Alexander
• Stauda August
• Sury
• Verbrugge Jan Karel
• Watteyne Alfons
• Weijnen Theodoor

Albums

• Album pittoresque de Bruges
• Album Ronse
• Bertinazzi portfolio
• Bologna nel Settecento
• Bruges - Promenades d'un amateur-photographe
• Bruges et ses monument
• Brugge Her-zien
• Cornelius Gurlitt album
• Daveluy album
• Delepierre album
• Emilio Anriot album
• Gurlitz album
• Les anciennes portes et l'enseinte espangnole d'Anvers
• Les futurs boulevards de Bruges
• Ontmanteling van Maastricht
• Porte della città di Bologna
• Porte e mura delle città
• Vedute pittoresche della città di Bologna

Complete texts

• 'To the City Gates...'
• Urban Photography in 19th century Bruges, I
• Urban Photography in 19th century Bruges, II

All texts

• 1900 — The turn of the century
• 19th century topographic photography in Bruges, Bologna and Maastricht
• A Few Theses
• A serious reflection on photography
• About the Material: the Documents
• Between Monument and Intimacy
• Between Tourism and Restoration - The Material
• Bruges and the Neogothic Restoration
• Characters and Objects
• City Gates & Walls
• City walls - Subject of Fear and Trust
• Corpus 1— Two Albums: J. O. Delepierre (1837-1840) and V. Daveluy (1866)
• Corpus 2 — The Neurdein Album in Prints
• Corpus 3 — An Anonymous Masterpiece: Bruges - Promenades d'un Amateur-Photographe
• Corpus 4 — Serial Projects: Watteyne and the Album Ronse [1]
• Corpus 5 — A Discovery: Clément Salmon, Municipal Engineer and Photographer
• Each City is Three Cities
• In Archives, Photographs are Documents; In Museums, Photographs are Works
• Light and Shadow
• Light as a cultural statement
• Modernization as Mobilization of the City
• Monumentalization
• On the Structure of the Images
• Photographic Form
• Photography for Architects: Prestige Publications
• Professional Structure for the Makers
• The City
• The City as Model. The City in Crisis
• The City Gates as a Spatial Theme (1)
• The City Wall as a View
• The City Walls as Research Material
• The Gate Versus the Wall (A Spatial Theme: 2
• The Iconography of the Walls
• The New Prestige of Nineteenth-Century Urban Photography
• The Participatory Mode: Printed Postcards and City Monographs
• The Phenomenology of Urban Space
• The Sequence as Articulated Text: The Daveluy Album
• The Viewing Effect
• The Walk: A Working Method
• Tourism Creates and Exploits an Image of the City
• Units of Urban Photography
• Visual Cultures in the Nineteenth Century
• Visual Motif, Spatial Theme

Email: info@citygraphy.be, © Citygraphy 2006. Design by Rekall Design