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Photographers
Anriot
Atget
Aubry
Basoli Antonio
Berssenbrugge Henri
Bertinazzi
Cavazza Giuseppe
Daveluy Victor
De Deyne Véron
Delepierre Joseph Octave
Duclos Adolf
Fierlants
Goethals
Gurlitt Cornelius
Hermans Gustave
Joostens Florent
Kampfe
Kühn Heinrich
Labarge Fecit
Malvaux Jean
Michiels Jan Frans
Panfili Pio
Poppi Pietro
Salmon Clément
Schaepkens Alexander
Simays Alexander
Stauda August
Sury
Verbrugge Jan Karel
Watteyne Alfons
Weijnen Theodoor
Albums
Album pittoresque de Bruges
Album Ronse
Bertinazzi portfolio
Bologna nel Settecento
Bruges - Promenades d'un amateur-photographe
Bruges et ses monument
Brugge Her-zien
Cornelius Gurlitt album
Daveluy album
Delepierre album
Emilio Anriot album
Gurlitz album
Les anciennes portes et l'enseinte espangnole d'Anvers
Les futurs boulevards de Bruges
Ontmanteling van Maastricht
Porte della città di Bologna
Porte e mura delle città
Vedute pittoresche della città di Bologna
Complete texts
'To the City Gates...'
Urban Photography in 19th century Bruges, I
Urban Photography in 19th century Bruges, II
Bruges
1900 — The turn of the century
19th century topographic photography in Bruges, Bologna and Maastricht
A serious reflection on photography
About the Material: the Documents
Between Tourism and Restoration - The Material
Bruges and the Neogothic Restoration
Characters and Objects
Corpus 2 — The Neurdein Album in Prints
Corpus 3 — An Anonymous Masterpiece: Bruges - Promenades d'un Amateur-Photographe
Corpus 5 — A Discovery: Clément Salmon, Municipal Engineer and Photographer
Each City is Three Cities
In Archives, Photographs are Documents; In Museums, Photographs are Works
Light and Shadow
Light as a cultural statement
Modernization as Mobilization of the City
On the Structure of the Images
Photography for Architects: Prestige Publications
Professional Structure for the Makers
The City
The City as Model. The City in Crisis
The City Gates as a Spatial Theme (1)
The City Walls as Research Material
The Gate Versus the Wall (A Spatial Theme: 2
The Iconography of the Walls
The Participatory Mode: Printed Postcards and City Monographs
The Sequence as Articulated Text: The Daveluy Album
The Viewing Effect
Tourism Creates and Exploits an Image of the City
Urban Photography in 19th century Bruges, I
Urban Photography in 19th century Bruges, II
Visual Cultures in the Nineteenth Century
Visual Motif, Spatial Theme